The Empty Man is one of the best, most underrated horror film of the second


This weekend Adam Wingard’s smash-hit Godzilla vs. Kong crossed the $70 million line on the field workplace, changing into the highest-grossing film of the pandemic period. In different information, Will Smith and Antoine Fuqua introduced that they’d relocate the taking pictures location of their upcoming thriller Emancipation from Georgia, citing the state’s controversial new voting laws which handed earlier this month. To high it off, Nomadland and Minari received large on the 2021 BAFTA awards, with the previous incomes over 4 awards together with Finest Image and the latter’s star Yuh-Jung Youn successful the award for Finest Supporting Actress.

Right here at Polygon HQ, we had large weekend ourselves— watching all the things from David Prior’s nascent cult cosmic thriller The Empty Man and HBO’s new collection The Nevers to Japanese New Wave classics and black comedy-dramas starring Ozark’s Laura Linney and the late, nice Philip Seymour Hoffman. Listed below are just a few of the reveals and flicks we’re having fun with watching proper now, and what you would possibly take pleasure in watching as nicely.

The Empty Man

Photograph: Walt Disney Studios Movement Footage

It’s extraordinarily uncommon for any film to garner a real cult following inside a 12 months of its launch, at the very least with out having been designed to just do that. However within the case of The Empty Man, it couldn’t have occurred to a greater film. Initially filmed in 2017, delayed for years by Fox, the film was unceremoniously dumped by Disney (having acquired 20th Century Fox in 2017) late final 12 months on the top of the pandemic. Predictably, nobody noticed it. However after it was launched on VOD in early 2021, individuals began to search out it— and extra importantly, those that noticed it informed their mates.

Every thing evil and sinister in The Empty Man is handed round in whispers and rumors. The folklore legend of the Empty Man himself, who will kill anybody that summons him; the mysterious and sinister Pontifex Institute guarantees spiritual therapeutic to the wayward teenagers of the film’s small-town Missouri setting. The unstated rule of The Empty Man’s world, that the film’s protagonist, ex-detective James Lasombra (James Badge-Dale), can’t discover out something in with out speaking to somebody who’s already initiated, offers it an ideal and eerie parallel between its plot and the real-life expertise of watching the film.

The Empty Man exists someplace within the house between detective thriller, folklore thriller, teen slasher, and occult conspiracy, however doesn’t neatly match into any of these bins. It’s extremely tense, sometimes stunning and violent, however largely it’s crammed with the sort of expertly crafted dread and unease that horror followers will acknowledge from A24’s movies like The VVitch and Hereditary, however it’s faster-paced and extra frantic than these films ever get.

The very best primer for The Empty Man are the film’s personal first 20-minutes, which function an prolonged prologue. Set distant from Missouri within the mountains of Bhutan, the opening is so nicely made and haunting that it may have been one of many 12 months’s finest horror films all by itself.

With all that stated, The Empty Man might be finest skilled with as few precise spoilers as doable, so I’ll simply be part of the refrain of the film’s evangelists and let you know to look at it. It’s time to affix The Empty Man cult. —Austen Goslin

The Empty Man is on the market to lease on Amazon, Apple, and Vudu.

And all the things else we’re watching…


Helen Lyle (Virginia Madsen) crawls through the mouth of a mural of Candyman in 1992’s Candyman directed by Bernard Rose

Photograph: TriStar Footage

This weekend, my accomplice and I sat down to look at Candyman, a movie we grew up listening to about via hushed whispers on the playground however by no means truly watched till now. It’s the kind of movie that I’d not have been prepared to look at, not to mention respect as a child (I used to be already terrified sufficient of Youngster’s Play because it was), however as an grownup I used to be enraptured. The movie follows Helen (Virginia Madsen), a semiotics grad scholar at College of Chicago and her good friend Bernadette’s mission to uncover the reality behind the city legend of the so-called “Candyman,” a murderous apparition born from out of the the darkest chapters of town’s historical past. Issues rapidly take a flip when the pair go to the Cabrini-Inexperienced tasks, the modern-day web site of Candyman’s horrific origins, solely to inadvertently conjure him again into existence.

The movie is exquisitely nicely shot. Anthony B. Richmond’s (Don’t Look Now, The Man Who Fell To Earth) cinematography, notably his overhead pictures of town’s outlying neighborhoods and the College of Chicago campus, totally immerses the viewers within the time and setting of Candyman’s universe, and Phillip Glass’ exhilarating rating is up there with Koyaanisqatsi. However what actually stands out to me in regards to the movie is its themes of social inequality and race relations, of how racism could be writ so deep into the historical past of a spot that it morphs the very terrain of a metropolis; and of how the previous is rarely really useless as long as somebody lives to recollect it— and even then, it retains the facility to develop into one thing simply as unspeakable as the reality. We excitedly watched the primary trailer for Nia DaCosta’s upcoming sequel-reboot starring Yahya Abdul-Mateen II (Watchmen) as quickly as we had been completed, then instantly watched the animated teaser launched by the director within the wake of the movie’s delay final 12 months resulting from COVID-19. Contemplate us hooked. —Toussaint Egan

Candyman is on the market to lease on Amazon, Apple, and Vudu.

The Nevers

Rochelle Neil manifests a wheel of fire in a dark room in The Nevers

Photograph: HBO

With all of the rising accusations {of professional} abuse and normal grossness swirling round Joss Whedon nowadays, I used to be very curious to test in on his newest venture to see if it was more likely to rally his fandom, or put some constructive press on the market to counteract all of the destructive press. Frankly, it doesn’t appear that probably. To my thoughts, the present doesn’t actually get going till episode 3 (I’ve screeners, I’m just a few weeks forward of the discharge schedule), and I’m questioning how many individuals will get that far. The pilot, which premiered this weekend, has some flaws that will maintain individuals from coming again. Its plot, about Victorian girls (or at the very least largely girls) gaining random skills or abnormalities from a weird occasion, makes it really feel like Costume Drama X-Males. However at the very least the X-Males generally get to struggle one thing apart from different mutants. The primary few episodes of The Nevers make it seem to be they’re simply going to be preventing one another, which makes the overplot of “Are individuals with powers a menace to society?” really feel a bit of skinny. For regular individuals, after all having some powered heroes operating round to counteract the powered murderers isn’t a lot compensation.

The pilot episode does have its perks — I used to be actually shocked to see the occasion that created the powered individuals, or “Touched,” depicted clearly within the episode, in a manner that raises a ton of latest questions however remains to be satisfying and stunning in a “watch the entire season to get any solutions” period. (It’s additionally a strikingly stunning, melancholy scene.) And I loved the first heroes, each their dynamic with one another and their inevitable Whedon-y hangups and flaws. The large downer, although, is that the seeming Massive Unhealthy of the season … is Drusilla from Buffy the Vampire Slayer. Not actually, in that she has a distinct title and her personal powers, however in all different respects a mentally ailing lady who talks in lengthy, dreary, symbolic rambles, behaves like a playful baby one second and a psychopathic killer the following, and is taking part in the “cutesy-poo kitten with harmful claws” position over again. It isn’t simply acquainted, it wasn’t enjoyable the primary time. Additionally, I simply can’t get used to HBO’s compulsory random bare boobs in a Whedon present. —Tasha Robinson

The Nevers is taking part in on HBO and streaming on HBO Max.

The Savages

Philip Seymour Hoffman and Laura Linney in The Savages (2007)

Photograph: Twentieth Century Fox

Ten years after her debut, Slums of Beverly Hills, writer-director Tamara Jenkins returned with this 2007 dramedy about elder care and the existential plight of rising up. With the fixed barrage of high-concept films and TV reveals hitting streaming every week, it was an absolute delight to look at a movie about two individuals coping with real-life shit. Jenkins spent these 10 years honing a script stuffed with piercing, memoir-like statement.

Laura Linney and Philip Seymour Hoffman star as sister and brother duo Wendy, a wannabe playwright floating via temp jobs and an affair with an older married putz, and Jon, a school professor who can’t summon the hassle to complete a e book on Bertolt Brecht or save a seven-year relationship operating into green-card points. Distant and squirming via their early 40s, the siblings’ lives converge when their estranged father is recognized with dementia. The plan is to fly him from Arizona to Buffalo and place him in a nursing house. However by contemplating their father’s take care of the primary time, Wendy and Jon discover themselves untangling damaged relationships and their very own misunderstanding of accountability.

Jenkins is a grasp of conveying historical past with minimal exposition. Entrusting her characters with two of the nice actors of a technology, she navigates via the story with tender course and set design that speaks volumes. precisely who Jon and Wendy are from their messy properties and drugs habits. And Jenkins doesn’t lose sight of the characters of their orbit — their father, the caretakers, and the individuals who brush in opposition to the story for even only a scene or two dwell their very own lives in parallel to the filmed story. The Savages is a wealthy human expertise, and uncommon to see with this a lot dramatic polish. —Matt Patches

The Savages is on the market to lease on Amazon, Apple, and Vudu.

Lady within the Dunes

Niki Junpei (Eiji Okada) stares at a naked woman off-screen in Woman in the Dunes

Photograph: Toho Firm

Early within the pandemic, I consumed each piece of fiction I may discover about isolation. I watched the unique Alien, Black Narcissus, and This Is Not a Movie. I listened to plenty of Joanna Newsom. And I learn The Lady within the Dunes, Kōbō Abe’s terrifying psychosexual novel a few Tokyo schoolteacher who will get kidnapped by villagers in a distant desert. He’s compelled to dwell with a lady he’s by no means met on the backside of an inescapable dune. Issues go about in addition to you’d assume, which is to say: poorly. It’s a type of books in regards to the repetition, mundanity, and limitations of life that left me feeling nihilistic and optimistic abruptly.

Whereas browsing the Criterion Channel, I realized of a movie adaptation, additionally written by Abe nearly instantly after the publication of the e book. I couldn’t think about how a director would visualize an allegory that happened inside a home that’s perpetually sinking into sand — particularly with the restrictions of filmmaking in 1964. I had by no means seen Japanese New Wave director Hiroshi Teshigahara’s work earlier than.

The movie seems like a midnight film despatched from the longer term. It’s bleak and taboo, the exhausting labor of the couple violently interrupted by close-ups of useless bugs and excessive wide-shots of the infinite vacancy of the dunes that lure the couple, they themselves like a pair of ants hopelessly tunneling, going nowhere.

That is why I really like Criterion Channel and nice curation. I uncover movies which have for no matter purpose alluded me, regardless of them being revolutionary of their time. Teshigara received nominated for Finest Director on the Academy Awards! Andrei Tarkovsky named it his 10th favourite movie! And now we are able to watch it at any time when we’d like on a streaming service. It’s a hell of a approach to go one’s time whereas trapped at house. —Chris Plante

Lady within the Dunes is streaming on Criterion Channel.


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